The second version of the sketch plans are in, designed to feed into a sustainable future for Dunans. The idea is that the ground and first storeys are used for functions and conferences, and storeys three and four are given over to accommodation for those who wish to stay here. We think the spiral staircase at the centre of the design will be extraordinary, as it is also a light well, creating a shaft of illumination through the building.
… and this is only possible because of two changes in the brief since draft v0.1. Firstly, we *think* a second staircase is unnecessary – or at least that is the advice ABC is giving us. And secondly, the interior walls are going to have to be stripped away. This means that we free up 10s of cubic metres of space … and space is becoming evermore valuable as we work on the business plan.
So before we feedback, we’ll be looking at the business plan and cash flows and seeing whether the raw capacity numbers add up. The other component I am presently working on is the market for conferencing – finding comparables, taking advice and not being too bullish … which is difficult given the prospect of the spiral (at the same dimension of the main turret) …
… and yours truly gets to design the poster! Great fun photos and a cut-out of Long John Silver to boot. Should encourage venues to take part in what looks like a really engaging tour.
On an evening when the light faded slowly into limpid shadow, and there was a stillness about Dunans which spoke of Summer rather than very recent Winter, I found four willing volunteers to model Dunans Rising tartan garments.
Actually, that’s not quite right. Sadie and TWTC’s intern Alex decided it was high-time we had some of our lovely tartan modelled properly in the grounds at Dunans. I was dragged out and had a thoroughly lovely time directing my four willing models … the results speak for themselves!
We’re working very hard at Dunans, restoring and protecting Castle and Bridge – the castle is a B-listed structure, and the bridge is A-listed. If you have been following my posts you’ll know about our Conservation Plan for Dunans, and how we are moving from feasibility work, through design and investigatory works towards consent.
Published in April 2014, our Conservation Plan
Associated with the site there are several other historic structures. One is the C-listed Fletcher Mausoleum: this building is the only one remaining in Fletcher ownership – which is entirely appropriate. Another is the old steading to the North-east of the castle, known as Dunans Steading – a building sold apart from the Castle in 1999.
A 19th Century map showing spatial relation between bridge (top left), castle (bottom middle) and steading (top right)
Built at around the same time as the bridge was built it is believed the Steading was used as accommodation for the workforce who worked on the A-listed structure. Over the subsequent years this courtyard of buildings was utilised variously by the Fletchers as: mill for the timber needed to construct the castle; estate office, running the 40,000 acre estate; stables; hay barn; vehicle storage and general workshop space.
In the mid-2000s an application was submitted which the local authority insisted was accompanied by an application for Listed Building Consent. This Listed Building application was acknowledgement of the very particular place the building plays at Dunans. Not only does it stand in the historic policies of Dunans Castle, and has a direct functional purpose for the castle, but also the only access to it, is Dunans Bridge. This fact of access means that any use the owners of the Steadings make of the bridge has to be cognisant of the listed status of the bridge, the involvement of Historic Scotland and the Dunans Charitable Trust.
The other factor in this story, is the electricity supply to the castle. Originally of course, when both buildings were in the same ownership , the power supply could be routed to the steading and then onto the castle without problem. In fact, when it was installed Colonel Fletcher insisted the meters be sited at the Steading for ease of access by the electricity company, as well as ensuring the privacy of the family and the proximity of the working element of the estate for any queries. A sensible arrangement then.
However, when the Steading was split apart from the castle the meters weren’t similarly split – neither the electricity company or the then owners insisted on this, despite it being a condition of sale. This means then to read our bill – more of which in a subsequent post – I have to venture onto the neighbouring land, and in close proximity to fallen trees, smashed walls and very precarious gable ends pick my way to the meters, prise open the meter door and take the reading. A tri-monthly gauntlet.
The approach to the Steading!The meters and the obstructions!
To record the state of things, and the danger to yours truly, this time I took some photos, and was inspired to write this post when I saw the results – a building in desperate need. The owners have refused us contact details (we believe they are based down in Kent), are not contactable through their agents, have not been onsite to our knowledge for over 2 years, will not talk to us, the owners of their sole access to their building. This is difficult when, as you’ll know, we are presently putting together an application to funders for of the restoration of the A-listed bridge – ie. £750K.
Work on the bridge, Summer 2014
What is particularly galling is that both the steading and the bridge need work now, and therefore we need to have a reasonable dialogue with the owners about their usage of the bridge to enable work on the Steading and what their contribution will be to the restoration of the bridge.
That conversation is needed because until we have it, forward movement on either project will prove very difficult.
Sometimes it takes a new eye to see a new angle in a new season to really show how wonderful this place looks. Alex, TWTC’s intern, took these wonderful panoramic images on Saturday …
Tipsy Towers is a Murder Mystery tribute to one of the UK’s most infamous 2-season, 12-show TV comedic masterpieces from the 70s. Starring John Cleese and Prunella Scales, Fawlty Towers has a legendary status and a huge fan-base. TWTC’s version recreates the atmosphere and hilarity of the original in an actual hotel and makes it a sublimely funny murder …
I made this trailer as a tribute to the tribute and it has great performances from Karen, Sadie, Andy, Rebecca as well as the Audience. Camera, editing and production was all down to me of course, and I am very happy with the result.
Incidentally, the bit I was amazed to find I got a real kick out of doing was the incidental music, written on an app called Figure – the software was developed by the Swedish group Propellerhead and is a joy to use.
Well, we got tired of waiting and being restrained and tonight have pushed the big red “Go Live” button on our Shopify and Facebook stores which are presently in beta testing – actually its more of unchecking a password protection check box, but you get the idea. All our favourite Lairds and Ladies on FB can buy our titles and merchandise directly on Facebook as well as at our superb new Shopify store here.
In fact there’s a great discount on the Shopify store, as well as some delightful products and new payment methods – we can now take CCs independently of Paypal (“Hurrah!” I hear some of you shout).
By the end of the month the old iteration of ScottishLaird.com will be sidelined and the Shopify store will be our main online outlet. Exciting times!
Here’s a screen grab of the FB store, and above is a banner from the Shopify store …
This year we are proud to be exhibiting several pieces by Andy McClintock in the grounds. The sculptures are ranged around our path network as well as inside the castle, for visitors to stumble upon at unexpected junctures. We’re presently developing signage for the exhibit and will have it in place for our opening at the beginning of April.
